Tag Archives: madonna

Our Lady of Częstochowa

August 26, 2016 maryproject Leave a comment

IMG_1621 - Version 2 — It is said that this is a portrait of Mary, the Mother of God herself, painted by Saint Luke on a wooden table that Jesus built. It has hung in this church for more than 600 years.

August 26 is the feast day of Our Lady of Częstochowa, the Black Madonna of Poland.

For more than 600 years, her tranquil face, scarred by assaults by arrow and sword, has looked out over a pilgrim-filled church built in her honor, on a hill called Jasna Gora, not far from Krakow. She has been through battles and wars, handed off from emperors to kings and hidden away in catacombs. People have prayed for her help, walked on their knees in pilgrimage to see her, and left their crutches behind after being cured of their ailments. Hundreds of miracles have been credited to this miraculous image and Our Lady of Częstochowa’s intercession over centuries.

A contemporary rendition of Our Lady of Częstochowa by artist Janina Oleksy-Lew.

For Poles, she is everything. She was officially proclaimed Queen of Poland in 1656 by King Jan Kazierz, who consecrated the country to the protection of the Mother of God. She has since been revered as protectrice and a symbol of Polish nationalism and religious liberty. Most parishes in Poland have shrines dedicated to her.

There is a shrine to Our Lady of Częstochowa in just about every church in Poland.

But the story of this miraculous image begins long before that.

It is said that this is a portrait of Mary, the Mother of God herself. It was painted by Saint Luke on a wooden table that Jesus built when he was apprenticing to be a carpenter with Joseph.

This is just the very beginning of the 19” x 14” miraculous portrait’s life.

Some say it was hidden away for years after it was painted to survive the siege of Jerusalem, around AD 70.

Then, in 326, Helen, the mother of Roman Emperor Constantine the Great, traveled to Jerusalem to find the relic. She brought it back to Constantinople for her son, who built a church near his palace for it.

Stories are told of residents carrying the painting through the streets of Constantinople to successfully repel an attack by the Saracens.

The walls of the church at Jasna Gora are lined with rosaries, coral necklaces and mementos of prayers granted. — The walls of the church at Jasna Gora are lined with rosaries, jewelry, medals, and mementos of prayers granted.

Later, Emperor Izauryn ordered many holy objects to be burned in the empire. His very own wife, Irene, hid the painting in the palace and began a tradition of passing the painting down from empress to empress in the court of Constantine.

Through intermarriage of Russian royalty with those of Constantinople and later with Polish royalty, the painting found its way to the Belzki Castle, where it remained for 500 years.

During attack by Tartars on Prince Ladislaus’s fortress in 1392, an arrow soared through the chapel window and struck the painting in the throat.

The scars on her face were made by a sword during an attack by the Hussites, a Christian movement of the King of Bohemia, in 1430. (By the way, attempts were made by artists to retouch the scars, but they always reappeared.)

Prince Ladislaus wanted to keep the painting safe from repeated invasions. He stopped in Częstochowa on his way to his hometown, and the horses could not move the carriage from its place. Twice, he dreamed that the painting should remain on the spot, a hill called Jasna Gora, or Bright Hill. This happened on August 26, 1392, and brings us to where we are today.

IMG_1614 - Version 2 — Children celebrating their first communion before the miraculous image of Our Lady of Częstochowa at Jasna Gora.

He built a chapel, a convent, and a cloister on the hill, entrusted the most pious monks to care for the painting.

More than 600 years later, the feast day of Our Lady of Częstochowa is still celebrated at Jasna Gora. As are the many miracles credited to her intercession.

Pope John Paul II held a very special devotion to the Virgin Mary.

There is also a National Shrine of Our Lady of Czestochowa near Philadelphia, Pennsylvania.

This is not exhaustive or entirely accurate history of the miraculous image at Jasna Gora as many sources seem to copy and/or contradict each other. However, this post meant to give a sense of the journey and impact of this relic and what it means to the people of Poland.

My primary source is a book of miracles attributed to Our Lady’s intercession called “The Glories of Czestochowa and Jasna Gora” by Marian Press, along with stories on the websites Roman Catholic Saints, Holy Spirit Interactive, and others.

QUOTES

Quote: Hillary Coniglio

Quote September 18, 2015 maryproject Leave a comment

Hillary Coniglio at 12th annual festa of the Madonna del Tinadari, September 8, 2015 — Hillary Coniglio raises her castanets in an ancient Italian worship dance at the Twelfth Annual Festa of the Madonna del Tinadari in New York. Photo © Cheryl Nemazie.

“I think [Mary] is inspirational to Italian families. She is like the matriarch archetype of the Italian mother. She watches out for everyone, and protects and guides them.”

—Hillary Coniglio

STORIES

Spirit of the Black Madonna del Tindari rises again in New York

September 15, 2015 maryproject 2 Comments

There was no sign of the Black Madonna of Tindari statue that used to stand in this room, but the ancient spirit of Sicily rose again like the phoenix painted on the wall of this East Village bar anyway. Devotees and revelers of all ages gathered on her feast day September 8 in a revival of the celebration that anchored this immigrant community for more than 75 years.

In a small side room that used to serve as chapel for a statue, wrought-iron chandeliers still hang from the ceiling. Sicilians young and old are huddled on wooden benches with pints of beer while a group of fresh-faced twentysomethings play traditional instruments that haven’t been heard in hundreds of years. Dancers stomp and twirl in ancient dances in honor of the Black Madonna while the same songs that have been sung in her honor for eons wake up the memories in the room.

Sicilian immigrants brought their religious beliefs and practices with them from the Old World to this Manhattan neighborhood at the turn of the 20th century, especially their devotion to the Blessed Mother, particularly the Madonna del Tindari, the black Madonna of Sicily.

An Italian-American tradition that had begun in 1909 ended in 1987 after members of the Sicilian community on and around Manhattan’s East Thirteenth Street died or moved away. The chapel closed and the statue moved to a private home in New Jersey, where it still resides.

However, 12 years ago, Italian-American scholar Joseph Sciorra had an idea to resurrect the feast day gathering, with a modern twist.

The site of the chapel at 447 East 13th Street is now a bar called the Phoenix Bar. Dozens of Sicilians turned out for the revival.

Charlie Castrovinci (like Fidel and Leonardo, he says) used to come to this very spot to visit the Black Madonna when he was a child. He remembers when this neighborhood was home to 50,000 Sicilians.

“My block had its own festival, except this block had two feasts of the black Madonna,” he said.

He remembers her being paraded through the streets, people pinning ribbons with money to her as donations and offerings, vendors selling sausage and Italian doughnuts filled with ricotta called zepplie (“My mom wouldn’t let me have those because she could make them at home.”), and a bandstand with music. He begins to sing strains of a song he remembers—Mama…—and Victorianne Capiello chimes in.

She came to the festival’s revival after doing research on her family history and discovering her ancestors came from areas of Sicily near the original shrine of the Madonna del Tindari.

“Every year my grandmother would climb the mountain on her knees and do her novenas and prayers,” she said.

She met Charles at a Sicilian meet up—their families it turns out are from the area of Sicily—and now they are friends.

“I am happy to be back and willing to share with these newcomers the greatness of the Black Madonna,” said Castrovinci.

Leda Grasso, who was born in Catania, Sicily, is holding a Black Madonna del Tindari commemorative t-shirt from a number of years ago. It depicts one of the original flyers for the event from the early 20^th century. Her mother also made the pilgrimage to Tindari.

“My mother went back to Sicily when I was 20. She said ‘My daughter is 20. Please get her a husband.’ I met him while she was there,” she said. “We have been together 40 years. We had three kids. Two are doctors and one is a psychologist.”

Cups of traditional Sicilian chocolate rice pudding are passed around. Beers are downed. The lights are low.

Dancer Rita Fierro spins to the rhythm, dipping and turning around the other dancers as if they are ready for a rumble. They hop back and forth to the drums, hair flying, hands in the air snapping castanets, as the beat thrums faster and faster.

With her wavy brown hair and dark almond eyes, long flowing skirt and bare feet, swirling with castanets made of olive wood in her hands, Fierro looks like she could be dancing in the ancient streets of Pompeii. In fact, she later tells me, there is a mosaic in Pompeii that shows people doing this very same dance. The tamurriata is meant to generate a trance to reconnect with the spirit, to transcend the physical experience, like spinning Sufis.

It’s working. The rest of the women join in the dance. There is joy on their faces. And one wonders if the Black Madonna may appear after all.

STORIES

The Black Madonna del Tindari: A Italian-American tradition lives on with a twist

September 5, 2015 maryproject Leave a comment

For 78 years it happened on September 8.

The streets of this Italian East Village neighborhood in New York City were strung with banners and lights and a replica of the black Madonna del Tindari was paraded through the neighborhood and brought to the window of a small chapel that couldn’t hold more than a dozen people at a time.

Sicilian immigrants brought their religious beliefs and practices with them from the Old World to this neighborhood at the turn of the 20^th century, especially their devotion to the Blessed Mother, particularly the Madonna del Tindari, the black Madonna of Sicily.

However, 12 years ago, Italian-American scholar Joseph Sciorra, Director of Academic and Cultural Programs at the Calandra Italian American Institute at Queens College—and curator of the exhibition “Evviva La Madonaa Nera!: Italian American Devotion to the Black Madonna”—had an idea to resurrect the feast day gathering, with a modern twist.

The site of the chapel at 447 East 13^th Street is now a bar called the Phoenix Bar.

“The bar is the former site of this chapel. Having discovered that information, I called people there in the name of the Black Madonna,” he said.

He did so in a rather playful way, calling it the Committee for the Resurrection for the Feast of the Black Madonna. And people came. Nothing was scheduled to happen. Nothing in the bar indicates that it was once a religious chapel. But people gathered. Practicing Catholics and atheists. Poets and artists.

“Italian-American culture is not something that is fixed. It’s something that be reimagined. That’s what this event tries to capture,” said Sciorra. “Whatever happens, happens.”

One year a group made chalk drawings. Some read poetry or sang or danced. One year an altar was spontaneously created outside of the bar.

“Someone created a banner of the Madonna that she brings every year,” Sciorra said. There is also a group of folk revival musicians who join every year. One of them is a bagpipe player.

This Tuesday, September 8, is the 12 anniversary of the gathering. Sciorra will be there at the bar, waiting to see what happens this year.

“It’s a reclamation of space. New York City is constantly changing. What was in one place yesterday is no longer there for a number of communities, especially immigrants,” said Sciorra. “A lot of that history doesn’t get written. Just being able to acknowledge it and landmark it through performance was very exciting.”

See you there?

Twelfth Annual Festa in Honor of the Black Madonna del Tinadari

September 8, 6-8 pm.

The Phoenix Bar

447 East 13^th Street, off of Avenue A

New York City

Photo: Feast for the Madonna del Tindari, East 13th Street, between Avenues A and First, New York City, September 7, 1915. Courtesy the Library of Congress.

STORIES

Madonna in the Mountains

August 25, 2015 maryproject Leave a comment

On a recent trip to Colorado, in an railroad town in the shadow of the Sangre de Cristo Mountains–right in the heart of the Rockies–I was lured off the main street and up the steps into a 100-year-old, brick building to find Paulette Brodeur painting in the hallway. She was putting the finishing touches on an expressionist painting of a jazz combo. She introduced herself as she waved her paintbrush full of bright blue paint around in the air.

Her galleries were filled with whimsical paintings of everything from wild horses and mountain landscapes to a poodle with the Eiffel Tower in styles echoing great names like Raoul Dufy and Pablo Picasso, all in bright, exuberant colors that echoed Paulette’s personality.

I rounded the corner into one brightly lit room to find this painting on the wall. It not only struck me for its beauty, but it felt a little like home. It reminded me of paintings by Grace Hartigan, who once painted in the city in which I now park my boots. And it was inspired by a statue of Mary in the great Notre-Dame Cathedral in Paris, in the shadow of which I studied French during college. To be so far away from home and to find her smack dab in the middle Colorado was a treat. And Paulette was generous enough to let me share her with you.

This painting is part of a series inspired by Notre-Dame Cathedral, completed after Paulette visited the city in 2013.

You can see more of Paulette Brodeur’s artwork on her website, http://www.brodeurart.com. Her gallery space is in the process of moving, so you won’t find her at the top of the stairs anymore, but you can find her online.

STORIES

Madonna in the carpool lane

August 6, 2015 maryproject Leave a comment

The Mary Project is all about exploring what Mary means to people of all ages, nationalities, and religious leanings (or not) across the country. I am fascinated every day by who opens up when I mention Mary because it’s always a surprise what comes out of their mouths.

I recently came across this drawing and stopped in my tracks. I love how it brings the Madonna right into our lives today. What would the Madonna and Jesus look like if they lived right along side us —just down the street—instead of thousands of years ago in a land far, far away. Mary was a mom, after all, doing the best for her son. These musing on the Madonna doing mom things capture my imagination.

Here’s what the artist Rosie Ferne has to say about her work:

“The Marys (there are two more in progress, one riding the subway and one on a bike with Jesus in one of those bike seats that attach to the back rack) are an idea grew out of a few things:

My feminist beliefs are important to me, and I think a lot about the issues facing women who want to have children during the same years that they are rising in whatever their career is, and how this is often seen as kind of a liability by employers, which is unfair because fatherhood doesn’t affect men the same way, and because SOMEONE has to continue the human species, and because motherhood is obviously tons of work but it’s not valued the same way as ‘work work.’

So I guess by drawing madonnas doing normal modern stuff, it’s kind of about the continuity of the mother-child relationship from ancient times to now, and about how there’s a kind of sacredness there, even though our surroundings and lifestyles have changed.”

You can see all four of Rosie’s Madonna artworks here – http://www.rosie-ferne.squarespace.com/ and they will soon be available on her Etsy shop – https://www.etsy.com/shop/Rosieferne.